A description of the conceptual art as a whole as a very one sided art form

Her film sequence Unknown womanfor which she faked psychosis to be admitted to a psychiatric hospital, was widely debated, and by many was not regarded as art.

How many vaunted works of art earn this biting, but deserved, ridicule! In practice, this proliferation of new styles and artistic techniques led to a new broadening of the meaning and definition of art.

In due course, graffiti added its own mark, as did numerous styles of reinterpretation, like Neo-DadaNeo-Expressionismand Neo-Pop, to name but three. The definition of art as imitation of nature reveals only its formal object; according to this definition art should strive as far as possible to repeat what already exists in the external world.

In a response to the devastation wreaked by World War I, de Stijl artists aimed to achieve a visual harmony in art that could provide a blueprint for restoring order and balance to everyday life.

conceptual art examples

We mention this in order to show that our definition also takes in the imaginative content of art. It is known through the experience of the audience as well as the intention and expression of the artist.

Conceptual art artists

Because what art expresses and evokes is in part ineffable, we find it difficult to define and delineate it. But what was the skill in its presentation as art? For more about experimental artists, see: avant-garde art. Let us suppose that a work of art develops the idea that straying temporarily from the true path will not doom a strong nature, or that one extreme leads to another; or that it depicts a man in conflict with himself; or depicts, if you will, the conflict between passions and lofty aspirations we are pointing to different fundamental ideas we have discerned in Faust - does not real life provide cases where the same situations develop? Don't forget to visit the artist overview pages of the artists that interest you. Identifying instances of art is relatively straightforward, but a definition of art that includes all possible cases is elusive. If art is just whatever you want it to be, can we not just end the conversation there? Turning to the observation that repetition is a vain effort which falls far short of its object, it must be said that this argument is valid only when it is assumed that art wishes to compete with reality and not simply serve as a substitute for it. This international group of artists working in all mediums renounced naturalistic representation in favor of a stripped-down formal vocabulary principally consisting of straight lines, rectangular planes, and primary color. Thus, Cubism's main contribution was to act as a sort of catalyst for a host of new movements which greatly expanded the theory and practice of art, such as: Suprematism, Constructivism, Dada, Neo-Plasticism, Surrealism and Conceptualism, as well as various realist styles, such as Social and Socialist Realism. Aesthetics alone persists in asserting that art is superior to life and reality. Poetry, ballet and films can be equally uplifting. But, being interested in the phenomena of life, man cannot but pronounce judgment on them, consciously or unconsciously. Love, appropriately or inappropriately — this is the first harm inflicted on art by the idea that the content of art is beauty. In acting, a man always has an aim, which constitutes the essence of his action.
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The Aesthetic Relations of Art to Reality by Nicholas G. Chernyshevsky